Since she was 12 years old, Samoa Wilson has been captivating audiences with a voice the New York Times calls “sweet, effortless, old-timey”. Raised in the riverbed of traditional North American folk music, she came up in the Boston scene, under the wing of jug band and folk legend Jim Kweskin. Her two duos, the Four O’Clock Flowers, and Fatboy Wilson & Old Viejo Bones, have become staples of the thriving New York City folk community. Additionally, her vintage jazz trio has been filling ears with material from the golden era of 20's and 30's musical treasure; a sound at once more bluesy and more contemporary than expected. Her choice of repertoire makes the difference: torchy and honeyed renditions of haunting little-known tunes, from a woman’s perspective. From the source of the traditional and classic material, she poses a modern complaint, salutes the transformation of women’s work and suffering into women’s triumph. 

“ ... a deep understanding of the early era of recorded pop ... a gorgeous, fun sound.” — The Boston Herald 

“ ... the essence of unaffected musical storytelling.” — Nat Hentoff